Aside from the common 24/28mm wide angle, the 50mm lens is next up as a favourite for landscape photography . A distant scene will still make a good composition if you frame it correctly. You may not be able to get right up close to include a strong foreground feature and so this focal length will allow you to draw the scene in. Successful landscapes are all about composition and fitting the widest lens in your arsenal is not always the answer to successful pictures. Tight framing and knowing what is negative space or just distracting from the main scene, is as important to your technique.
This focal length is very easy to work with, as it offers the same field of view as we see with our eyes and so it should feel very natural to compose with. If you need to compress the elements within the scene slightly, then this focal length will allow this too. Sometimes the landscape isn’t perfectly placed for you and there can be too much distance between the foreground rock and tree in the mid-ground. A 24 mm will only exaggerate this and spoil the harmony of the composition, A 50mm however, will compress the scene slightly and make the two elements appear closer together than they actually are, allowing for a tighter view.
You can read more about the ideal focal lengths for landscape photography in my eGuide ‘Lenses for Landscapes‘, available as part of an e6 subscription or to purchase separately. www.e6subscription.co.uk